Havana Neon

Last week's amazing Polar Vortex struck me as an opportune time to break out this post, which I've been sitting on for a while.  In fact, it's been exactly a year since I jetted down to Havana.  A pretty good time of year to head south from New York, no doubt, but it was the neon, not the warmer climes, that I was after.


Havana Neon, circa 1930.  (Claude Neon News, c. 1930 / NYPL)

We all know about Cuba's fleet of ancient American cars.  What I wondered was what might remain of Havana's old neon signs.  A little bit Paris, a little bit Vegas, and a lot South Beach, Havana was a city that positively glittered with neon before the Cuban revolution in 1959.  But how would all of that commercial glitz fare under communist rule?


Sloppy Joe's neon.  (Claude Neon News, c. 1930 / NYPL)

As I researched the neon book, articles on Havana Neon kept cropping up old trade publications, including one feature in the Claude Neon News showing the island capital bathed in neon in the early 1930s.  From little neonitos packed into the narrow streets of Habana Vieja to huge rooftop spectaculars that beamed out over the Caribbean, Havana must have had some of the busiest sign shops in the world. 

"New Schenley Spectacular in Havana" - rooftop spectaculars beamed out over the Malecon.  From Signs of the Times Magazine, July 1947. (ST Media Group, used with permission.)  

Of course, all of that changed after 1959.  Those big roof signs, most of them advertising the fruits of American capitalism (such as can still be seen rolling down the calles of Cuba today) are long gone now.  But Havana's culture of neon was so firmly entrenched that it survived the island's not-so-smooth transition to a socialist economy.  

The narrow streets of Habana Vieja were literally jammed with neon signs, as seen over Burl Ives' shoulder in this screen cap from the 1959 film "Our Man in Havana."

One need look no further than the monumental neon-lit figure of Che Guevara that has presided over Plaza de la Revolución since the late 1960s.  Some establishments that were renamed for political reasons in the 1960s (especially Havana's many movie houses) had their new names emblazoned in neon.  So while precious little survives of Havana's once resplendent neon streetscape, there is more than one might think.

"Bomba Atomica," a manufacturer of water pumps and coffee machines.  Signs of the Times, September 1954.  (ST Media Group, used with permission.)

A few signs have even been preserved (or at least replicated), such as those at the historic Floridita and Sloppy Joe's bars in Habana Vieja.  But like most other parts of the world, the general trend is definitely not in neon's favor.  Signs that had were still there within a year of my visit had vanished by the I got there.  Some of them, like that of the old Hotel New York, had just crumbled.  Others simply no longer light up.  And a handful have even been retrofitted with LEDs.

Signs of the Times Magazine, September 1954.  This article featured the work of sign companies Anuncios Cape, Anunciadora Opalina and Luz Neon. (ST Media Group, used with permission.)

So take a pretend break from this wild winter and head down south where the neon was fine and the weather still is.  If this isn't enough to thaw you out, please also check out other photos from my Havana trip at my flickr page.

HAVANA NEON

Havana is teeming with amazing old movie theaters, most of them still functioning.  Many, like the Yara, received new, nationalist-themed names after 1959.  You'll find them interspersed in the photos below.

Cine Yara (ex-Teatro Warner Radiocentro) / Calle L 363, Vedado, Havana

The Castro government imposed new names on many of Havana's main thoroughfares as well.  These include Avenida de Galiano, a main commercial strip that straddles the border between Habana Vieja - the city's historic core - and Centro, the "new" downtown developed around the last turn of the century.  A number of neon relics still linger here.   

La Internacional / Avenida de Galiano, Centro, Havana

Fin de Siglo / Avenida de Galiano, Centro, Havana

El Palacio de las Novias / Avenida de Galiano, Centro, Havana

Gentry, Avenida de Galiano / Centro, Havana

El Gallo, Avenida de Galiano / Centro, Havana

One of the finest art deco theaters you'll find anywhere in the world, the Teatro América was Havana's answer to Radio City Music Hall. 

Teatro America / Avenida de Galiano 253, Havana

Hotel Lincoln, Avenida de Galiano, Centro, Havana

La Oasis, Paseo del Prado, Centro, Havana

El Megano (ex-Cine Capri) / Calle Industria 416, Havana

Cine Payret / Paseo de Martí, Prado 503 - 513, Habana Vieja, Havana

Restaurante El Baturro, Avenida de Bélgica, Habana Vieja, Havana

Puerto de Sagua, Avenida de Bélgica, Habana Vieja, Habana

La Pina de Plata, Calle Obispo, Habana Vieja, Havana

Hemingway's old hangout, the Floridita, bills itself as the "cradle of the daiquiri."  It's a complete tourist trap now but an obligatory stop-off nonetheless, especially for its neon.   

El Floridita / Calle Obispo at Avenida de Bélgica, Habana Vieja, Havana

La Gran Via / Calle Neptuno (?), Centro, Havana

Hotel Plaza Havana / Ignacio Agramonte No. 267, Habana Vieja, Havana

Restaurante Cafeteria Wakamba / Calle O btwn Calles 23 & 25, Vedado, Havana

I made some of my favorite finds on the south side of Centro, an off-the-beaten-path tangle of old streets near the big railroad yard behind Havana's Estación Central, 

Las Americas Ferreteria / Calle Aguila (?), Centro, Havana

La Industrial, Avenida Máximo Gómez / Centro, Havana

El Mundo de Las Maravillas / Calle Monte, Centro, Havana

Cine Favorito / Belascoain 809, Havana

Cine Cuba / Reina (?), Centro, Havana

Casa Bella / Belascoain, Havana

The Vedado district's great old Riviera theater seems to have lit up in the not too distant past, but like many others it was out cold by the time I got there.

Cine Riviera / Calle 23 No 507, Vedado, Havana

La Pelota / Calle 23 a Calle 12, Havana

Cafeteria 12 / Calle 23 a Calle 12, Havana

Restaurante Varsovia / Calle 12, Vedado, Havana

Teatro Mella (ex-Teatro Rodi), Linea 657, Vedado, Havana 

Hotel Sevilla / Animas, Habana Vieja, Havana

Back in Habana Vieja, Sloppy Joe's bar - perhaps best known for its role in Graham Greene's "Our Man in Havana" - was in the midst of a heavy-handed embalming during my visit, which apparently included a facsimile of its old sign.  Compare the repro with the original (above).

Sloppy Joe's / Zulueta 252, Habana Vieja, Havana

Shades of South Beach are clear in evidence at Meyer Lansky's Hotel Habana Riviera, built just before the Revolution.  A finer specimen of late '50s hotel architecture you'll find almost nowhere.

Hotel Habana Riviera / Paseo y Malecon, Vedado, Havana

Cine 23 y 12 / Calle 23 No. 1212, Vedado, Havana

Somewhat farther afield in Miramar, the massive Karl Marx was the more (or less?) colorful Blanquita before 1959.

Teatro Karl Marx (ex-Teatro Blanquita) / Avenida 1ra No. 804, Havana

Cine Milan (La Rampa) / Calle 23 (La Rampa), Vedado, Havana

Bar Cafeteria La Red / Calle 19 No. 151, Vedado, Havana

Taken from the window of a '48 Dodge: the Cosmos-ex-San Carlos, at Calle 60. 

Cine Cosmos (ex-Cine San Carlos) / Avenida 19 at Calle 60, Havana

Scattered around town, some newer signs suggest that Havana's neon trade is still alive, if not exactly flourishing:

El Balcon del Eden Bar Restaurante / Calle K No. 361, Vedado, Havana

Restaurante de Cameron / Linea 753, Vedado, Havana

But here as everywhere, LEDs are coming.  Back where we started, next to the Cine Yara, the big roof sign of the Hotel Habana Libre is probably Havana's most prominent LED retrofit.

Hotel Habana Libre / Calle 23 at Calle L, Havana

The missing S and R reveal that the nearby Salon Rojo, too, has been LED-ed.

Salon Rojo / Calle 21 betw Calle O and Calle N, Vedado, Havana

Back in Habana Vieja, the Hotel Inglaterra sign had been converted within the year prior to my visit.

Hotel Inglaterra, Paseo de Martí 416, Centro, Havana

Los Amigos Paladar / Calle M No 253, Vedado, Havana

And perhaps the most startling convert of all:

Comandante Ernesto 'Che' Guevara: 'Hasta La Victoria Siempre' / Plaza de la Revolución

El Comandante himself, right on the Plaza de la Revolución. The uniformed man with the big gun standing in Che's shadow wash't keen on letting me look behind Che's reverse channels.  But peeking out from behind them, a stray diode confirms that Che and Castro's Cuba have outlived the neon century.

Che's stray LED. (T. Rinaldi)

SEE ALSO: 

Check out my other photos from Havana over at flickr.  They're sorted into these galleries:

•  Assorted
•  Cars
•  People
•  Signs
•  Neon
•  Terrazzo


REFERENCES: 

"Claude Neon Bright Spots in Beautiful Havana."  Claude Neon News, c. 1930
"New Schenley Spectacular in Havana." Signs of the Times Magazine, July 1947
"Signs - The Cuban Way."  Signs of the Times Magazine, September 1954.

Salvation Neon

The whole flu shot thing sounded a bit tenuous to me, so I decided to skip it this year.   Well folks, not a good idea: I have rung in 2014 mired in the throes of what the Italians call "l'influenza."  The silver lining here is that I now have plenty of time to get caught up with my neon blogging.  

The following was to have been my holiday-themed post: an homage to the lovely Salvation Army neon on 14th Street in Manhattan.   A simple sign, but one of my favorites.  Alas, rare is the sighting of this sign alight.  For years, in fact, I'd assumed it had burned out fatally, been given up for dead.  Then one night, rushing across town to meet a friend for a few beverages at Johnny's Bar on Greenwich Avenue, there she was, ablaze in all her glory.  

The Salvation Army HQ: 120 West 14th Street, Manhattan. (T. Rinaldi)

I could never pin down a fabrication date for the existing sign: its simple letterforms and stainless steel channel letters over a red porcelain enamel "prism"-type box suggest a mid-1950s installation.  Old photos show what appears to be an earlier neon sign of roughly the same configuration in the same spot, with somewhat jazzier lettering that must have gone well with the Salvation Army's great art deco headquarters building behind it, the work of architect Ralph Walker.  So keep an eye out as you cross town at the 14th parallel, for this great white whale of New York neon. 

The Salvation Army HQ: 120 West 14th Street, Manhattan. (T. Rinaldi)

Oh, and next year, let's maybe all get our flu shots.  A happy Neon New Year to all.

IN OTHER NEON NEWS: 

•  Not New York, but - surely one of the most evocative neon Shorpies to date.

•  Another neon shot from Shorpy, less evocative but closer to home: Wanamaker's (and Miles Shoes, and Miller's, and Woolworth's) in Great Neck. 

•  More So-Cal neon appreciation from Debra Jane.

•  Via my friend Kett Murphy: a short and sweet audio interview on Faythe Levine and Sam Macon's book Sign Painters, from 99 percent invisible.

•  By way of Lorne Covington: lots of neon at this year's Art Basel in Miami.  

•  Portland, Oregon has lost its "Wentworth Chevytown" sign.

Lights Out 2013: Signs We Lost This Year

Not to be a big debbie-downer right in the middle of the holidays, but - behold, the signs we lost in 2013.  I was all set to write up a little story on the recent disappearance of the Apple Tag and Label signs in Long Island City, when I figured "what the hell" - let's do 'em all.  

Since I started keeping tabs on New York's old neon signs for the neon book, I've found that the signs disappear at a rate of about a dozen each year, on average.  That statistic holds for 2013.  Some great signs vanished this year.  From Harlem's Lenox Lounge to U-Haul's wanton destruction of the huge Eagle Clothes sign in Brooklyn ... here they are, for the record.  Read'em and weep.  

Lenox Lounge, 961 Lenox Ave., Manhattan

Installed c. 1948.
A heartbreaking loss, the Lenox Lounge sign was pulled down in the midst of a bitter dispute over the closing of what had become an iconic Harlem institution.  Word is the venue is set to re-open under new ownership, perhaps with a replica of the original sign.

Hinsch's Confectionery, 8518 5th Ave., Brooklyn.  
Made c. 1948
Excruciatingly lost over the summer with a heavy-handed renovation of this veteran Brooklyn soda fountain.

Cork & Bottle Liquors, 1158 1st Ave., Manhattan.  
Made c. 1940 (vertical); 1971 by Laster (horizontal)
Replaced by new LED signs that roughly approximate their predecessors.  

Eagle Clothes, 213 6th Ave., Brooklyn.  
Made 1951 by White Way Neon
Trashed this summer when building owner U-Haul announced plans to build atop the former Eagle plant in Gowanus, Brooklyn.

Charles Street Garage, 97 Charles Street, Manhattan.  
Made c. 1962
Vanished to make way for a generic, Helvetica-emblazened, plastic-faced replacement.  

Tad's Steaks, Times Square, 701 7th Ave., Manhattan.  
Made c. 1975
Tad's had been on this block since the late 1950s, making it one of the very last real hold-outs of the "old" Times Square.  The signage likely dated to the late '70s, when Tad's opened up in the former Loew's Mayfair Theatre building.  Sadly, the Times Square Tad's got the boot this year when the landlord began vacating the historic theater in preparation for its demolition, now in progress - also quite a bummer.

Tad's Steaks, 34th Street, 152 W34th St., Manhattan.  
Made by Atlantic Sign Corp., c. 1964
Tad's dished out broiled steaks from this East 34th Street storefront, across the street from Macy's, from 1964 until it closed earlier this year to make way for a Croc's store.

Bernard F. Dowd Funeral Home / 165-20 Hillside Ave., Jamaica, Queens.
Made by Grauer Sign Co., c. 1984
A pair of real classic signs that first went up at this Queens funeral home in the 1950s, and were re-lettered in the 1980s after an ownership change.  

R.H. Macy Co., 441 7th Ave., Manhattan.  
Made c. 1948
There was neon in them there stainless steel reverse channel letters.  They're all gone now, lost in the course of Macy's $400m renovation.  

JL Wine & Liquor (formerly Goldrich Wines), 60 E34th St., Manhattan.  
Made 1950
Lost to make way for a plastic-faced LED replacement sign.  

Apple Tag & Label
Sadly, the big roof signs over the old Apple Tag & Label warehouse have not survived the building's ongoing residential conversion.


St. Charles Garage, 403 East 60th Street, Manhattan.
Shot down this year, as reported by James and Karla Murray.

AND THE ONES TO WATCH IN 2014:

Gallagher's Steak House, 228 W52nd St., Manhattan.  
Made c.1936
Gallagher's closed earlier this year, after 85 years in business.

Olympia Florist, 3799 Broadway, Manhattan.
Made 1950.
This Hamilton Heights florist bit the dust after about 100 years in business.   

Back Fence, 155 Bleecker Street, Manhattan.
Made 1946.
RIP to the back fence bar, which held down this Greenwich Village corner from 1945 until this autumn.  

D'Aiuto Bakery, 405 8th Ave., Manhattan.  
Made 1960 by Grauer Sign Co.
D'Aiuto closed this fall, reportedly for "renovations," but has yet to re-open some months later.